Accompanying, leading or driving?

14 February 2018

Series: Observations about the conduct of meetings in the so-called ‘new churches’, from an older person’s perspective — 2.

There’s nothing more embarrassing to the congregation than seeing a worship leader strumming away with their eyes tight closed and thus unaware of someone who has come forward to contribute, or of one of the church leaders who wishes to say something, or is signalling them to stop playing.

guitarIt’s not good enough to say, ‘Sorry, I was lost in worship.’ The answer to that is, ‘Well, you shouldn’t be. Your business is not to ‘lost’ but to be sensitive to the Lord and to other people, not to drive things, but to lead sensitively, and for that you need to be aware of what’s going on around you.’

And, please, leave us some pauses. People who typeset books know the vital importance of ‘white space’. A solid, long paragraph of type puts people off reading, whereas well-spaced, shorter paragraphs with a few millimetres of white space between them enhance readability. It’s the same with music. Constant output wearies people and inhibits their involvement. They tend to shut their eyes, or stop singing, or sit down and adopt an attitude of prayer. What they are really saying by their actions is, ‘Please, let’s have a bit of let-up.’

We need frequent quiet pauses — audible ‘white space’ — where the Holy Spirit can speak in the silence.

Then think, please, whether you are accompanying, leading or driving the ‘worship’. Guitars, by their very nature, have a driving effect; the rhythm impels things along. That’s OK in itself, but it does mean that the musician needs to back off, or at least break the rhythm, from time to time, otherwise ‘drivenness’ becomes the main feature of the music.

Ideally, I believe, musicians and front-singers should fit somewhere between ‘leading’ and ‘accompanying’. As for the first, they are there to set the pace of the song and decide when to move from verse to chorus etc., so that the congregation all know where the song is going. As for the second, the congregation’s singing is just as important as what the musicians are producing, and sometimes it will be appropriate for the musicians to let the flow of a song come from there and fall back into more of an ‘accompaniment’ mode for a while.

Or even to fall silent! We love it when, from time to time in an appropriate song, the musicians stop playing altogether so that we have just the sound of everybody’s voices. And don’t be too quick to come charging back in again with a driving rhythm!

The name of the game? Sensitivity. To God and to the congregation.

[For other blogs on this theme, click Music and Worship under CATEGORIES at the top-right of this post]


Music without ceasing?

12 February 2018

Series: Observations about the conduct of meetings in the so-called ‘new churches’, from an older person’s perspective—1.

Hearing deteriorates as folk get older—as I know from experience: my hearing aids are very powerful ones. One feature of this deterioration is losing the capacity to ‘filter out’ one sound from other, competing sounds, and focus on it .

This means that, if someone is speaking in church—praying, perhaps, or making some connecting comment—and a guitar or keyboard is playing at the same time, it is virtually impossible for many of us to make out what the speaker is saying, as the frequency of the music almost always overrides that of the speaker’s voice.

Worship-teamThat’s why it is immensely off-putting to older folk when music is played in the background all the time during the open time of worship. This has, sadly, become the norm in some churches, but I regard it as an undesirable practice. Not only does it prevent some of us from hearing any simultaneous oral contributions. It also inhibits such contributions from the congregation. Few people are confident enough to chip in while music is being played, especially when they feel they will have to raise their voice higher than is natural for them if they are to be heard above the music. So they keep quiet—and we are the poorer for it.

Music and song do not equal ‘worship’; they are simply one of many expressions of it. When we gather as a church family, our corporate worship consists in, not just the singing, but the prayers, testimonies, prophecies, tongues and interpretation, relevant Scripture passages etc.

Musicians and stage-singers have an unfair advantage here, in that they are in position at the front, with microphones, and can thus inhibit or face down contributions from the floor. For this reason, they need to be mega-sensitive to the presence of the congregation and ideally should stop playing immediately if someone in the congregation begins to pray out loud or whatever.

Some would discourage ‘from the floor’ contributions anyway, favouring the ‘front-led’ approach to meetings. The congregation then become, not participants, but observers. It’s a negative trend, I believe, possibly reflecting an unhealthy desire for control on the part of the leaders. Certainly, it’s hardly ‘family’ anymore; it’s a performance. And, to be honest, I often find it boring—though I always try to keep a positive attitude. You never get bored when there are contributions from the floor. Some of them may be a bit messy but, to me, that’s part of what ‘family’ is all about. It’s real, and I think the Lord loves it!

I know from experience that it’s possible to welcome contributions from the floor with congregations up to about 150 in number, provided the musicians are sensitive and know when to keep quiet. After that, the dynamics change. But I’d argue that, once numbers reach 150, it’s time to split the congregation into two of 75 each anyway, to keep the ‘family’ atmosphere that the New Testament presents as central to the church’s very nature. Small is beautiful!

What do you think?

[For other blogs on this theme, click Music and Worship under CATEGORIES at the top-right of this post]


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